". . . I went there and brought some of my devices, such as the Ovctavia. I'd shown it to Jimmy Page, but he thought it was too far out. Jimi said, the moment we met, "Yeah, I'd like to try that stuff". I said "Damn, this guy is incredible." He was the epitome of what any rock guitarist should be - we had no one of that calibre. . . . We started from the premise that music was a mission, not a competition . . . That the basis was the blues, but that the framework of the blues was too tight. We'd talk first about what he wanted the emotion of the song to be. What's the vision? He would talk in colors and my job was to give him the electronic palette which would engineer those colors so he could paint the canvas. . . . When you listen to Hendrix, you are listening to music in its pure form . . .

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